EDUCATION

Tyler School of Art, Temple University, Philadelphia, PA.  Master of Fine Arts Degree

University of Georgia, Athens, GA. Bachelor of Fine Arts Degree, Honors

GRANTS & DISTINCTIONS

2017 - Nominee, Women to Watch 2018, National Museum of Women in the Arts, Washington, DC 

2015 - Master Metalsmith, National Ornamental Metal Museum, Memphis, TN

2005 - Fellow of the American Craft Council College of Fellows

2003 - Professor Emerita, University of Wisconsin-Whitewater

2001 -  Artisan Member, Society of American Silversmiths

2000 - Trustee Emerita, American Crafts Council

1999, 1995, 1987 - University of Wisconsin Outstanding Research Award

1994 - Chancellor’s Award, University of Wisconsin-Whitewater

1981 through 2000 - Recipient of 11 University of Wisconsin Faculty Research Grants

1984 - National Endowment for the Arts Visual Arts Fellowship

1983 - Distinguished Member, Society of North American Goldsmiths

1979 - Florida Fine Arts Council Individual Artist Fellowship

 SELECTED EXHIBITIONS      (*catalog   +traveling)

 2018

    •    ARTISTAR 2018, Palazzo dei Giureconsulti, Milan, Italy

    •    INHORGENTA, Munich, Germany

2017

    •    Madrid Joya, Madrid, Spain

    •    Joya Barcelona, Barcelona, Spain

    •    Espaijoia, Barcelona, Spain

    •    Occasion Spéciale,  Mobilia Gallery, Cambridge, MA

    •    4000 Years of Jewelry Design, Mobilia Gallery, Cambridge, MA

2016

    •    Precious Metals:  Shining Examples From RAM’s Collection, Racine Art Museum, Racine, WI

    •    An Exuberance of Color In Studio Jewelry, Tansey Contemporary Gallery, Santa Fe, NM.  Gail Brown, curator

    •    Signs of Life, Facèré Jewelry Art Gallery, Seattle, WA * 

    •    Charlotte Contemporary, Charlotte, NC, 2016                                           

    •    Go For Baroque, Racine Art Museum, Racine, WI

    •    Shadow Themes:  Finding the Present in the Past, The Gallery at Reinstein/Ross, New York, NY*

    •    Contemporary American Metalsmiths, Daegu Catholic University, Daegu, South Korea.  Digital  presentation by Komelia Okim

    •    Linking Our Lineage, Society of North American Goldsmiths, Minneapolis, MN   eBook                    

 2015

    •    Cultivating Ornament-Linda Threadgill Master Metalsmith, The National Ornamental Metal Museum, Memphis, TN *

    •    металлические украшения (Metal Jewelry), Linda Threadgill, Online Exhibition, Moscow, Russia

    •    A Journey Through Time:  Explorations of Artful Adornment and Sculptural Vessels Through the Ages, Mobilia Gallery, Cambridge, MA

 2014

    •     Digital Hand, Kent State University, Kent, OH

 2013

    •    Objects of Status, Power and Adornment II, Mobilia Gallery, Cambridge, MA

    •     BIJIOUX! 2013, Norton Museum of Art, West Palm Beach, FL    

 2012

    •     Contemporary Visions of the Necklace, Mobilia Gallery, Cambridge, MA

    •     Art of the Ring, Mobilia Gallery, Cambridge, MA

    •     The Teapot Redefined, Mobilia Gallery, Cambridge, MA

    •     The Nature of Things, Metalsmith Magazine, curated by Marilyn da Silva

 2011

    •     Linda Threadgill:  Cultivating Ornament, Mobilia Gallery, Cambridge, MA

    •     Artists for Penland, Patina Gallery, Santa Fe, NM

    •     Objects of Status, Power and Adornment, Mobilia Gallery, Cambridge, MA

 2010

    •     Heirlooms of the Future: Jewelry, Holloware and Sculpture, Mobilia Gallery, Cambridge, MA

    •     Extreme Tea, Houston Center for Contemporary Crafts, Houston, TX +  

    •     The Teapot Redefined, Mobilia Gallery, Cambridge, MA

    •     Brooching the Subject: One of a Kind,  Ogden Museum of Southern Art, New Orleans, LA

 2009

    •      SOFA NEW YORK (Sculpture, Objects and Functional Art) Exhibition, Mobilia Gallery of Cambridge, MA, New York, NY

    •      TYLER Alumni Exhibition, Tyler School of Art, Philadelphia, PA

    •      Yuma Symposium 30th Anniversary Exhibition, Yuma, AZ

 2008

    •      Museum of Arts and Design/Museum Collection Online, Neckpiece (1987) Sterling Silver, 14K Gold, Silver Vessel Brooch (1987), Sterling

                Silver, 14K Gold, New York, NY

    •      Women of Metal, Crossman Gallery, University of Wisconsin-Whitewater, Whitewater, WI*

    •      New Novel and Never Shown Before 2008, Racine Art Museum, Racine, WI

 2007       

    •      Art 5, Andy Warhol Foundation Regional Invitational Exhibition, D. W. Williams Art Center, New Mexico State University at Solano, Las

                Cruces, NM *

    •      Jewelry by Artists, Daphne Farago Collection, Boston Museum of Fine Arts, Boston, MA

    •      Celebrating the Art of Adornment, Mobilia Gallery, Cambridge, MA            

  2005

    •      200 Rings, Velvet DaVinci Gallery, San Francisco, Obsidian Gallery, Tucson, AZ, Gallery M, Cleveland, OH, Shaw Gallery, Northeast

                Harbor, ME, Facèré Gallery, Seattle, WA 

          Two Person Metals Invitational Exhibition, Montgomery College Arts Institute, Rockville, MD

 2004

          The Korean and American International Invitational Metalsmithing Exhibition, Kepko Plaza Gallery, Seoul, Korea*                                                               

 2003

    •      Jewels and Gems, Renwick Gallery, Smithsonian Institution, Washington, DC

          Extreme Metal: Contemporary Metalsmithing, Mary Brogan Museum of Art and Science, Tallahassee, FL

    •      Charmed Lives:  Narratives of Personal Wisdom, curated by Gail Brown, Facèré Gallery,  City Centre, Seattle, WA

 2002

    •      Seven Echoes, Contemporary Holloware Invitational Exhibition, USA and UK, Gallery Hyundai, Seoul, Korea

    •      SOFA NEW YORK (Sculpture, Objects and Functional Art) Exhibition, The Teapot Redefined, represented by Mobilia Gallery of

                Cambridge, MA, New York, NY

 2001  

    •      The Ring, Mobilia Gallery, Cambridge, MA, The Wustum Museum of Fine Arts, Racine, WI, The Fine Arts Center, Colorado Springs, CO,

                 University of Texas, El Paso, TX, Gallery Ruthin, Wales, UK  *   +

 2000

    •      Attitude & Action:  North American Figurative Jewelry, Atrium Gallery, University of Central England, Birmingham Institute of Art and

           Design, Birmingham, England, The Jewellery Gallery at DESIGNyard, Dublin, Ireland and The Society of Arts and Crafts, Boston, MA*  +

    •      Solo Exhibition, Recent Works, Mobilia Gallery, Cambridge, MA

 1999

    •      The Teapot Redefined II, Mobilia Gallery, Cambridge, MA

    •      Magic and Ritual:  Hanukkiahs Seen Through Contemporary Eyes, Steinbaum Krauss Gallery, New York, NY, Nathan Rosen Museum

                Gallery, Boca Raton, FL* +       

 1997 

    •      SOFA CHICAGO (Sculpture, Objects and Functional Art) Exhibition, represented by Mobilia Gallery, Cambridge, MA, Chicago, IL

    •      Celebrating American Craft:  American Craft 1975 - 1995, Kunstindustrimuseet:  The Danish Museum of Decorative Art, Copenhagen,

                 Denmark

 1996

    •      American Revelations, Contemporary Survey of Jewelry, Shipley Art Gallery, Gateshead, England, Birmingham School of Jewellery and

                Silversmithing, Birmingham, England, Surrey Institute of Art, Farnham, England, Cleveland Craft Centre, Middlesbrough, England,

                National Ornamental Metal Museum, Memphis, TN, Society for Contemporary Crafts,  Pittsburgh, PA* +

 1995      

    •      In Praise of Craft, James Renwick Alliance and the Renwick Gallery Auction of Contemporary American Craft, National Museum of

                American Art, Washington, DC   *

    •      Art Jewelry:  An Historical View, Survey of Contemporary Work From 40’s to Present, Mobilia Gallery, Cambridge, MA

 1994 

    •      25th Anniversary Exhibition, Electrum Gallery, London, England*

 1993 

    •      Gold Show, American Craft Associates, American Craft Museum, New York, NY

    •      Exhibition of Recent Acquisitions, American Craft Museum, New York, NY

    •      Contemporary Craft and the Saxe Collection, Toledo Museum of Art, Toledo, OH, St. Louis Art Museum, St. Louis MO, Newport Harbor

                 Art Museum, Newport Beach CA, Renwick Gallery of the National Museum of American Art, Washington DC* +

    •      Contemporary Metal:  Form and Narrative, Krannert Art Museum, Champaign, IL, I Space, College of Fine and Applied Arts, University

                 of Illinois, Urbana/Champaign, Chicago, IL    +

    •      Sculptural Concerns, Contemporary American Metalworking, Contemporary Arts Center, Cincinnati, OH, American Craft Museum, New

                York, NY, Spencer Museum, Lawrence, Kansas, Tampa Museum, Tampa, FL, Knoxville Museum of Art, Knoxville, TN, Grand Rapids

                Museum of Art, Grand Rapids, MI, Fort Wayne Museum of Art, Fort Wayne, IN, Oliver Art Center, California College of Arts and Crafts,

                Oakland CA * +

 1992

    •      Wearables, American Craft Museum, New York, NY

    •      Solo Exhibition, Maralyn Wilson Gallery, Birmingham, AL                    

    •      Solo Exhibition, Wellington B. Gray Art Gallery, Jenkins Fine Arts Center, Greeneville, NC       

    •      Image:  Sensation:  Memory:  Contemporary Jewelry Collection, curated by Earl Pardon, Connell Gallery, Atlanta, GA

 1991

    •      Forged and Raised Metal Vessels, Sloss Furnaces National Historical Landmark, Birmingham, AL

 1990

    •      Silver:  New Forms and Expressions II, Fortunoff, New York, NY, Ornamental Metal Museum, Memphis, TN, Atlanta International

                 Museum of Art and Design, Atlanta, GA*  +

    •      Royal College of Art Collection Exhibition, Royal College of Art, London, England

 1989

    •      Craft Today USA, American Craft Museum, New York, NY, State Painting and Sculpture Museum, Ankara Turkey, St. Peters Abbey,

                 Ghent, Belgium, America House, Berlin, Germany, Zappion, Athens, Greece, Slovak National Gallery, Bratislava, Czechoslovakia,

                 Grazzi Museum, Leipzig, Germany, Sala Sant Jaume Fundacio, Barcelona, Spain, The Gulbenkian, Lisbon, Portugal 

    •      Recent Work in Jewelry, Electrum Gallery, London, England

 1988

    •      Korean American International Metalworks Exhibition, Walker Hill Art Center Museum, Seoul, Korea *              

    •      Solo Exhibition, Garth Clark CDK Gallery, New York, NY, and Los Angeles, CA

    •      Solo Exhibition, Tarble Arts Center, Eastern Illinois University, Charleston, IL   

    •      AUS/USA Eight Jewelers from Australia and the United States, University Art Gallery San Diego State University, San Diego, CA

    •      Wisconsin Craft Masters, Charles A. Wustum Museum of Fine Arts, Racine, WI

    •      Inaugural Exhibition of CDK Gallery, Garth Clark Gallery, New York, NY

    •      Tabriz Auction, Fine Arts Club of Arkansas, Arkansas Art Center, Little Rock, AK

 1987

    •      Innovations/Applications:  Technological Pioneers in Metalsmithing, Tyler School of Art, Philadelphia, PA

    •      Solo Exhibition, Swan Gallery, Philadelphia, PA

    •      Solo Exhibition, Northlight Gallery, School of Art, Arizona State University, Tempe, AZ

    •      Works by Women, Small Sculpture Invitational, Tangeman Fine Arts Gallery, University of Cincinnati, Cincinnati, OH, Sabin Convention

               Center, Cincinnati, OH, Kalamazoo Institute of the Arts, Kalamazoo, MI, Joseph Gross Gallery, Tucson, AZ, Palm Springs Desert

               Museum, Palm Springs, CA, Texas Women’s University, Denton, TX   *   +

    •      Solo Exhibition, Recent Jewelry, The Hand and the Spirit Gallery, Scottsdale, AZ

 1986

    •      Craft Today:  Poetry of the Physical, American Craft Museum, New York, NY, Denver Art Museum, Denver, CO, Laguna Art Museum,

               Laguna Beach, CA, Phoenix Art Museum, Phoenix, AZ, Milwaukee Art Museum, Milwaukee, WI, J.B. Speed Art Museum, Louisville, KY,

               Virginia Museum of Fine Arts, Richmond, VA   * +

    •      Chicago New Art Forms Expo, represented by Esther Saks Gallery, Chicago, IL                                              

 1985                                                              

    •      American Jewelry Now, American Craft Museum and USIA Arts America, Thomas Jefferson Cultural Center, Manila, Philippines, Joong-

               Aug Gallery, Seoul, Korea, The National Museum of History, Taipei, Taiwan, The National Museum, Jakarta, Indonesia, The National

               Museum, Singapore, Malaysia, The National Museum, Kuala Lumpur, Malaysia, Auckland City Art Gallery, Auckland, New Zealand,

               The Robert McDougall Art Gallery, Christchurch, New Zealand   *   +

    •      Solo Exhibition, Emily Edwards Gallery, Southwest Craft Center, San Antonio, TX

 1984

    •      Golden Years:  Tyler’s 50th Anniversary: A Celebration of Alumni Achievement, Tyler School of Art, Philadelphia, PA  

    •      Jewelry USA, A National Competition, American Craft Museum, New York, NY, The Virginia Museum of Fine Arts, Richmond, VA, The

                Craft and Folk Art Museum, Los Angeles, CA, The Chicago Cultural Center, Chicago, IL, The Oakland Museum, Oakland, CA, The

                Hunter Museum of Art, Chattanooga, TN, The Bass Museum of Art, Miami, FL, The National Ornamental Metal Museum, Memphis,

                TN, The Newport Art Museum, Newport, RI   *   +

    •      Solo Exhibition of Sculpture, Charles A. Wustum Museum of Fine Arts, Racine, WI

 

COLLECTIONS

Swiss National Museum, Alice and Louis Koch Ring Collection, Zürich, Switzerland

The Royal College of Art Collection of the Victoria & Albert Museum, London, England

National Museum of American Art, Smithsonian Institution, Washington, DC

Museum of Fine Arts, Boston, MA          

Kamm Foundation, Statesville, NC

National Ornamental Metal Museum, Memphis, TN

The Museum of Arts and Design, New York, NY

Walker Hill Art Center, Seoul, South Korea

Robert Pfannebecker Collection, Lancaster, PA

U.S. Comptroller of the Currency, Federal Building, Chicago, IL

RAM Racine Art Museum, Racine, WI

MOWA Museum of Wisconsin Art, West Bend, WI

Northeast Wisconsin Arts Council, Green Bay, WI

Tyler School of Art, Temple University, Philadelphia, PA

George and Dorothy Saxe Contemporary Craft Collection of the deYoung Museum, San Francisco, CA

Switzer Center for the Visual Arts, Pensacola, FL

BIBLIOGRAPHY (selected)

 •      WHO'S WHO IN VISUAL ART 2017-2018:  100 ARTISANS, CRAFTSPEOPLE & DESIGNERS, Art Domain/WhoIs Verlag, Quedlinburg, Germany, 2018

•       JOYERIA CONTEMPORANEA 2018, Grupo Duplex, Barcelona, Spain, 2018

•       ARTISTAR JEWELS 2018.Fausto Lupetti Publishing, Bologna, Italy, 2018

•       HANDOUTS FROM THE 21st CENTURY, Society of North American Goldsmiths, Eugene, OR, 2017

•       CULTIVATING ORNAMENT-Linda Threadgill Master Metalsmith, Metal Museum, Memphis, TN.  2015

 •      Ornament Magazine, Escondido, CA. Glen R. Brown. "Linda Threadgill, The Structural Origins of Ornament". (Vol. 34, No. 4, 2011)

 •      Metalsmith Magazine, The Society of North American Goldsmiths, Eugene, OR. Glen R. Brown. "Conceptualizing Ornament", Artist Profile

             and cover photo. (Vol. 29 No. 3, 2009)

 •      TEAPOTS: MAKERS AND COLLECTORS, Schiffer Publishing, Dona Meilach, 2006.

 •      THE PENLAND BOOK OF JEWELRY, Lark Books, Asheville, NC, Marthe Le Van. 2005

 •      1000 RINGS, Lark Books Division of Altamont Press, Inc., Asheville, NC.  Marthe Le Van. 2004.

 •      CRART, Craft and Art Monthly Magazine, No. 20, Issue 4, Seoul, South Korea, “Linda Threadgill" Artist Profile and Cover Photo, HyunJung

              Kim.  Spring 2003.

 •      EXHIBITION IN PRINT, 2001, Holloware, Metalsmith Magazine, Vol. 21 No. 4, Society of North American Goldsmiths, Brooklyn, NY.  Lisa

             Gralnik, John Cogswell.  2001.

 •      EXHIBITION IN PRINT, 1999, Sculpture, Metalsmith Magazine, Vol. 19, Society of North American Goldsmiths, Milwaukee, WI.  Christine

             Clark.  1999.

 •      A CREATIVE LEGACY:  A HISTORY OF THE NATIONAL ENDOWMENT FOR THE ARTS VISUAL ARTISTS’ FELLOWSHIP ARCHIVE, The

             National Museum of American Art, Smithsonian Institution, Washington, DC.  Saralyn Reese Hardy. 1997.

 •      ENCYCLOPEDIA OF JEWELRY TECHNIQUES, Quarto Publishing, London, England. Jinks McGrath. 1996.

 •      HYDRAULIC DIE FORMING FOR JEWELERS & METALSMITHS, 20 Ton Press, Carmel, CA.  Susan Kingsley.  1993, Second Edition, Third

             Edition, Fourth Edition, 2007

 •      CONTEMPORARY CRAFTS AND THE SAXE COLLECTION, Hudson Hills Press, New York, NY.  The Toledo Museum of Art.  1993

 •      GRAPHIC DESIGN BASICS, Harcourt Brace, New York, NY.  Amy Arntson.  1988 Second Edition 1993, Third Edition 1998, Fourth Edition

             2003

 •      GRAPHIC DESIGN BASICS, Fifth Edition 2006, Sixth Edition 2011, Thomson Wadsworth Publishers/Cengage Learning, Florence, KY, Amy

             Arntson.

 •      TAIWAN SILVER ART VOL. 2, Taiwan Province Archives Committee, Nantour City, Taiwan, Chien Jung-ts’ung. 1988, Second Edition, 1994

 •      CRAFT TODAY, POETRY OF THE PHYSICAL, American Craft Museum, New York, NY, Weidenfeld and Nicolson.  1986

RELATED PROFESSIONAL ACTIVITIES

2018 - Member, Colorado Metalsmithing Association (CoMA)

2013 - January-May - Adjunct Professor, Institute of American Indian Arts, Santa Fe, NM

1979-2003 - Professor, Art Department, University of Wisconsin-Whitewater, Whitewater, WI   

2002 - Chair, Editorial Advisory Board, METALSMITH Magazine, published by the Society of North American Goldsmiths, Eugene, OR      

1999-2001 - Member, Editorial Advisory Board, METALSMITH Magazine, published by the Society of North American Goldsmiths, Eugene, OR

1999 - Designer- The Jewelry Technology Center of Excellence and Curriculum Guide for Bahrain Technical Institute, Bahrain

1990-1992 - Trustee, American Craft Council, New York, NY

1992-1994 - Secretary, American Craft Council, New York, NY

1985-Present - Consultant to University Programs and individual artists on Spray Etching Process

1982-1986 - Member, Board of Directors, Society of North American Goldsmiths, Eugene, OR

1982-1984 - Director, Crossman Gallery, University of Wisconsin-Whitewater,  Whitewater, WI

 

LECTURES, RESIDENCIES, TECHNICAL PRESENTATIONS

•   Colorado Metalsmiths Association 2017 Conference, Conference Presenter, Salida, CO, 2017

•   Penland School of Crafts; Etching workshop and lecture, Penland, NC, 2014

•   Visiting Artist; Lecture and Etching Workshop, University of Iowa, Iowa City, IA, 2012

•   Kent Blossom Art, Summer 2011; Artist in Residence, Lecture and Workshop, Kent State University, Kent, OH, 2011         

•   Institute for American Indian Arts;  Santa Fe, NM, 2008

•   University of Texas at El Paso; Tessellations workshop, El Paso, TX, 2007

•   New Mexico State University; Tessellations workshop, Las Cruces, NM, 2007

•   Montgomery College; 'Making Multiples' workshop, Webber Foundation Artist in Residence, Rockville, MD, 2005

•   MAKER 2005 Symposium; Etching workshop and lecture, Loma Mar, CA, 2005

•   Sookmyung Women’s University; Lecture, Seoul, South Korea, 2002

•   Gallery Hyundai; Lecture, Seoul, South Korea, 2002

•   Mendocino Art Center; Etching workshop and lecture, Mendocino, CA, 2001

•   California College of Arts and Crafts; Etching workshop and lecture, Oakland, CA, 2000

•   Cleveland Institute of Art; Etching workshop and lecture for Enameling Department, Cleveland, Ohio, 1999

•   Montgomery College; Etching and electroforming workshop, Rockville, MD, 1999

•   Smithsonian Institution, Smithsonian Associates Program, “Crafts, What’s Hot, What’s Not”; Lecture and Panel Discussion with John

         Marshall and Stuart Kestenbaum, Washington, DC, 1998

•   Smithsonian Craft Show; Juror for 1999 17th Annual Smithsonian Craft Show, Ripley Center, Washington, DC, 1998

•   California College of Arts and Crafts, Sculptural Concerns Symposium; Electroforming Workshop and Panel, Oakland, CA, 1996

•   Grand Rapids Art Museum, Sculptural Concerns Exhibition; Lecture and Gallery Presentation, Grand Rapids, MI, 1995 

•   University of Wisconsin - Green Bay, Lawton Gallery; Juror for Student Exhibition, Green Bay, WI, 1995

•   Madison Art Center, Seventh Annual Artists on Art Lecture Series; Lecture, Madison, WI, 1994

•   Penland School of Crafts; Etching workshop and lecture, Penland, NC, 1994

•  The Worcester Center for Crafts; Etching workshop and lecture, Worcester, MA, 1994

•  Oakbrook Center; Craft Exhibition Juror, Oakbrook, IL, 1993

•  University of Northern Iowa; Etching workshop and lecture, Cedar Falls, IA, 1992

•  Arrowmont School; Etching workshop and lecture, Gatlinburg, TN, 1992

•  University of Arizona; Etching workshop and lecture, Tucson, AZ, 1992

•  East Carolina University, Wellington B. Gray Gallery; Etching workshop and lecture, Greenville, NC, 1992

•  Haystack School of Craft; Etching workshop and lecture, Deer Isle, ME, 1992

•  New Art Forms Expo, “Contemporary Trends in Metalwork”; Panel Discussion Participant, Chicago, IL 1992

•  Korean American Cultural Exchange in the Arts; Panel Participant, St. Louis Museum of Art, St. Louis, MO, 1992

•  Penland School of Crafts; Etching workshop and lecture, Penland, NC, 1991

•  Washington Goldsmiths Guild; Etching workshop and lecture, Montgomery College, Rockville, MD, 1991

•  Southern Illinois University; Etching workshop and lecture, Carbondale, IL, "Minorities and Internationals", Visiting Artist Lecture Series, 1991

•  Arrowmont School; Etching workshop and lecture, Gatlinburg, TN, 1990

•  San Diego State University; Etching workshop and lecture, San Diego, CA, 1990

•  “Open House” University of Wisconsin - Madison; Lecture on UW-Whitewater student work, Madison, WI, 1990

•  Royal College of Art; Etching workshop and lecture, London, England, 1989

•  Skidmore College, Summer Six Program; Etching workshop and lecture, Saratoga Springs, NY, 1988

•  Racine Art Association, Charles A. Wustum Museum of Fine Arts; Lecture, Racine, WI, 1988

•  Penland School of Crafts; Etching workshop and lecture, Penland, NC, 1988

•  Eastern Illinois University; Etching workshop and lecture, Charleston, IL, 1988

•  Hongik Metal Craft Association, Hongik University; Lecture, Seoul, Korea, 1988

•  Kent State University, Artist-in-Residence: Lecture, Kent, OH, 1987

•  Haystack School of Crafts; Etching workshop and lecture, Deer Isle, ME, 1987

•  Arizona State University; Etching workshop and lecture, Tempe, AZ, 1987

•  Summer Metals Institute, Arts Outreach Program; “Etching for Jewelry and Small Sculpture” workshop and lecture, UW-Whitewater,

        Whitewater, WI, l986

•  "Open House", University of Wisconsin - Madison; lecture on UW - Whitewater Student work, 1986

•  University of Houston; Etching workshop and lecture, Houston, TX, 1986

•  University of Delaware; Etching workshop and lecture, Newark, DE, 1986

•  Washington Goldsmiths Guild, Montgomery College; Etching workshop and lecture, Washington, DC, 1986

•  Michigan Silversmiths Guild, Eastern Michigan University; Etching workshop and lecture, Ann Arbor, MI, 1986

•  St. Norbert College; Etching workshop and lecture, DePere, WI, 1986

•  First Summer Metals Institute, Arts Outreach Program; Etching workshop and lecture, University of Wisconsin-Whitewater, Whitewater, WI,  

       1985          

•  State University of New York, College at New Paltz; Etching workshop and lecture, New Paltz, NY, 1985

•  Pennsylvania Society of Goldsmiths, Millersville State University; Etching workshop and lecture, Millersville, PA, 1985

•  University of Wisconsin-Madison; Etching workshop and lecture, Madison, WI, 1985

•  University of Wisconsin-LaCrosse, First Midwest Metals Symposium; Etching workshop and lecture, LaCrosse, WI, l985

•  Northshore Art League, Old Orchard Exhibition; Juror, Chicago, IL, 1985

•  University of Wisconsin-Green Bay; Etching workshop and lecture, Green Bay, WI, 1985           

•  Southwest Art Center; Etching workshop and lecture, San Antonio, TX, 1985

•  University of Wisconsin-Milwaukee; Etching workshop and lecture, Milwaukee, WI, 1985

•  Metal Arts Guild, George Brown College; Etching workshop and lecture, Toronto, Ontario, Canada, 1985

•  Montreal Craft Guild; Lecture, Montreal, Quebec, Canada, 1984

•  16th Blossom School Art Program, Artist in Residence; Lecture, Kent State University, Kent, OH, 1984         

•  Ecole De Joaillerie Et De Metaux D'Art De Montreal; Etching workshop and lecture, Montreal, Quebec. Canada, 1984

•  Fashion Institute of Technology, Jewelry Art and Industry Society of North American Goldsmiths Conference Presentation; Lecture on Spray

       Etching Process for Technical Slide Library, New York, NY, 1984

•  Michigan Technological University, Mark Eugene Howard Seminars on Art and Technology; Etching workshop and lecture, Houghton, MI,

          1984

•  Northshore Art League; Etching workshop and lecture, Chicago, IL, 1984

•  Boston University, Program in Artisanry; Etching workshop and lecture, Boston, MA, 1984

•  14th Annual Summervail Workshop for Art and Critical Studies and Rocky Mountain Metalsmithing Symposium; Etching workshop and

          lecture, Colorado Mountain College, Vail, CO, 1984

•   Yuma Metalfest, Arizona Western College; Etching workshop and lecture, Yuma, AZ, 1984

•   Wisconsin Designer Craftsmen; Etching workshop and lecture, Milwaukee, WI, 1984

•   University of Wisconsin - Madison, Union Art Directorate; Lecture, Madison, WI, 1983

•   San Diego State University; Etching workshop and lecture, San Diego, CA, 1983

•   Yuma Metalfest, Western Arizona College; Etching workshop, Yuma, AZ, 1983

•   13th Annual Summervail Rocky Mountain Metalsmithing Symposium, Colorado Mountain College; Etching workshop, Vail, CO, 1983

•   Pensacola State College; Electroforming workshop, Pensacola, FL, 1979

•   Eastman Kodak Employee Center;  Lecture “ Photo Processes in Contemporary Art Metals”, Kingsport, TN, 1979